This is the musical version of Crash. It's a French guy using any number of stereotypes and tropes in the hopes of making some kind of enlightened movie. But every single time they try to address something serious it breaks out into some of the worst musical numbers I've ever heard. The fact that Karla Sofía Gascón had really bad tweets is actually pretty fitting for this movie.

Find something that treats trans-parenthood with some respect or find a film on cartel violence done by a Mexican director with Mexican actors.

Zoe Saldaña is good in it, but even she has to undermine her part with absolutely ridiculous musical numbers.